("There is at this moment a beetle the size of god's ass on the table about six inches from the t-writer. It is worse than anything Kafka ever dreamed, so big I can see its eyes and the hair on its legs — Jesus, suddenly it leaped off and now circles me with a menacing whir")
At first the long drawn out melancholy words, sentence after
sentence, of Franz Kafka’s The
Metamorphosis reeked of monotone as I read. However, after a little
background research and a second read through the sadness of Gregor’s experience
spewed from the pages. At a deeper look and a little persuasion from Barry
Creamer, a ministry blogger from Criswell
College, it became apparent
that Gregor’s misfortune and misery was in fact a reflection of Franz Kafka’s :
The Metamorphosis is in
the realization that Gregor himself is Kafka’s prodigal—the prodigal who never
“comes to himself,” never seeks help, never turns back, and never experiences
the warm embrace of life-, purpose-, and for-giving grace in the arms of his
true father or family. For genuine existentialists those experiences are as
unrealistic as the love of Kafka’s father was (or appeared to be) to him. (That
same sadness is mirrored by the family’s relief at Gregor’s loss rather than
persistent pursuit of his restoration.) (Creamer) With this it can be assumed
that Kafka portrays similar aspect of his own metamorphosis in his analogous
story.
As a young man in the 1900’s Kafka inexplicably resembled
Gregor in The Metamorphosis as the weary
saddened dung beetle. Kafka too found himself pressured by his lethargic and
indifferent father to provide stability for his family. While growing up in the
bureaucratic wasteland of Prague, Kafka described his town as broad modern
streets of dreams, disguised with traces of the old ghetto, with its dreary
alleys, reeking taverns, ubiquitous corruption to be more real than the
palpable for the residents of the new city (Sokel).
During his time in Prague Kafka was faced with the infant death of two brothers
and constant moving that would soon send young Kafka into a state of
instability. Both Hermann Kafka (father) and Julia Kafka (mother) were industrious
people and instilled the necessity of work to Kafka at an early age. Although,
Kafka did exceptionally well in his jobs, first at the Assicurazioni Generali,
an Italian insurance company, and later with the Worker's Accident Insurance
Institute for the Kingdom of Bohemia, he
often took long time off as an escape from fear of becoming just another pencil
pusher (Wiki). During his time off Kafka
tried several attempts to purse his writing, but was shattered by his father
when he wanted him to take charge of his brother-in-law Karl Hermann's asbestos
factory, which took up a lot of his time until 1917 (when it was shut down) and
literally almost drove him to suicide. (Wiki)
In "The Metamorphosis" the latter Gregor spends his days pressed up against the
window staring out onto the gray, contemplating thoughts of his earlier days.
Gregor soon begins to fit the role as the unfit beetle, pondering over the
meaning of his existence.
“Then he crept up on the window sill and, braced on the chair, leaned against the window to look out, obviously with some memory or other of the satisfaction which looking out the window used to bring him in earlier times.” (Franz Kafka)
As a direct reflection of Gregor, Kafka in his depressed
years at the firm was also known to have spent endless hours gazing out his
bedroom window contemplating his purpose.
Kafka also developed early in life an inordinate sense of
guilt. The idea of the insolubility of the most ordinary, even human problems
depressed his youth and later inspired his art, Gregor in “The Metamorphosis” (Phillip
Rahv 62).
Inevitably, when comparing Kafka’s life struggles of his
time, with those of Gregor, the distressed insect, the similarity of the two
are evident. This could be assumed as an arguable result of the unstable and
depressed ethnicity Franz Kafka lived in. During his time he faced numerous
hardships and obstacles that a young Jewish man went through in those times.
Work Cited
- Barry Creamer. “The Prodigal Son Parable” 2012. Criswell College. 24 May 2012 Web
- Wikipedia. “Franz Kafka” 2012. Wikipedia. 24 May 2012 Web
- Sokel, Walter. “Franz Kafka as a Jew” Leo Baeck Institute Yearbook. 18.1 (2012): 233-238.Web
- Rahv, Phillip. “Franz Kafka: The Hero As Lonely Man” The Kenyon Review. 1.1 (1939): 60-74.Web
- Kafka , Franz. The Metamorphosis. Tribeca Books, 1915.
I read the essay, and I agree with your opinion that Gregor's misfortune and misery was in fact a reflection of Franz Kafka’s himself.The essay give the information of Kafka’s family, and it is good to explain what Kafka think when he wrote the fiction.
ReplyDeleteI like the way you went in to specific detail about how he was slowly losing his humanity. i did not really go into specific details as much as you did. im not really good at details.
ReplyDeleteThe story also felt very monotone when I read it. I did understand it a lot more after my researched it to Kafka's life. I agree with you that theGregor and Kafka's struggles between Gregor and Kafka's are very similar. I like your connection of both of them staring out the window. Your background information was very detailed. Overall very good post.
ReplyDeleteExcellent article. Very interesting to read. I really love to read such a nice article Big Data Hadoop Online Course Bangalore
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